Thursday, February 28, 2008

A biography of myself for my Theatre class

The bottom of it is just footnotes, but you can read them if you want. I left out a few paragraphs, the ones with all my education stuff that is so boring. It is kinda sad because the footnotes are longer than what I have posted. But oh well.



Jordan Victoria Ward was born on April 27, 1990, the youngest of Ken and Carolyn Wards 6 daughters. She has resided in Baton Rouge, Louisiana since birth. Jordan was raised in a religious family, primarily Baptist in her early years. She then moved on to the denomination of “non-denominational” and now is simply a follower of Jesus Christ - no denomination, no facade, and no hidden agenda.

Jordan has spent 88% of her lifetime fully emerged in theatre of a different sort with performances that most wouldn’t readily recognize as theatrical. If examined through the textbook* definition of theatre it would most undoubtedly be classified as a typical performance. The theatre that I am speaking of is the pseudo-Christian “church”.

Including her experience in modern church Jordan has seen countless live theatrical productions, 2 or more a week for approximately 15 years, averaging around 1,560. They should be considered professional considering that producing a sermon was the profession of the educated preacher/pastor. However, she has moved on from this sort of theatrical performance, seeing as it is un-biblical. Jordan is now walking out her Faith through relationships with fellow Christians in a House Church.+



* Pgs. 7-9 of The Essential Theatre states very specifically is classified as theatre, beginning with the audience. The text very explicitly says that you must have an audience to have a theatre, and what more is a congregation of “church-goers”, except a glorified audience? (Ex. “It may permit spectators [congregation members] to surround the performers [preachers], require the audience [congregation] to sit in rows, facing a platform on which the performance occurs.”) The second statement that backs this theory is that of the performance. A “worship-service”, and sermon preached in your modern day church is just as much a performance as a circus sideshow. It is pleasing to the people, as opposed to pleasing to God, which if I am not mistaken, is what Christianity is all about. (Ex. “ Such spectators [congregation members] may resent or avoid any production that questions conventional moral, political, or social values…They support what appeals to them and fail to support what they do not like or do not understand…In turn, Broadway producers [Mega-church leaders, modern church], who need to recover the large sums required to mount a play [sermon] on Broadway [the pulpit], often avoid controversial subject matter [holiness, sin, exc.] or unfamiliar staging conventions [ meeting in the house instead of buildings, the way they did it in the Acts of the Apostles in the Bible] so as to attract as many theatregoers [churchgoers] as possible. Off-Broadway and regional theatres [House-churches] with lower costs and ticket-prices [ no building, all funds to go feed the hungry, cloth the naked, support orphans and widows], can afford to take greater chances, and may seek a more restricted audience [ the spot-less Bride of Christ who has remained untainted by the world] than that wooed by Broadway [ The modern Church]. “)

+ House Church is a meeting in homes rather than buildings. There is no preacher, but rather each person brings evidence that they have been with God throughout the week. It is the body of Christ, where every joint supplies with a word, a psalm, spiritual teaching, or prophecy that is all done for the edification of the body of Christ. It is a small intimate setting, there is little room for “acting” like a Christian, rather people are actually Christians, living out the Word of God.

A report I did for my Theatre 1020 class about an experience from a production

Teen Mania Ministries has summer camps that I attended a few years back. These camps had programs that were meant to inspire, there were speakers and teachers, videos, and dramatizations. They would set the mood by changing the atmosphere. They made a distinct transition from outdoor activities, to the indoor entertainment. They would then dim the lights and set of firecrackers on the stage. The music they played would set the ground (start the ball rolling) for whatever they were about to present to you. The skits would begin, they were meant to make you think, and examine how your life was in comparison to what they were showing. The scenes were deep and almost heavy feeling at times. They showed videos of orphans that desperately need sponsors, and told you things that you liked to hear. And every now and again they would mix in the Truth, but it was watered-down, and tainted with the materialism, psychobabble, and other things that appealed to human nature as opposed to Godly-nature. They would tell you about the love, joy, peace and happiness that came from being a “Christian”. At the time it sounded great, you were in a nice atmosphere, things were easy, and you had this great emotional high. Every year I would “re-dedicate” my life to the image of God that I created. It seems as though they just helped me make a better mask, so that the society couldn’t see that I was just a broken and messed up as they are. And with each year, came a more realistic the mask; and the better the mask, the easier it was to hide the fact that I really wasn’t a Christian as defined by the Word of God. I even seemed to hide it from myself. I would then go home, and after about two weeks the high was gone. So did the camps and the dramatizations change me in any way? No. I was still a dirty wretched sinner, on my way to hell. Only now I had a smile on my face, and a pat on the pack from the youth camp.

Now, if you ask if I have learned anything from those camps and dramatizations, I would now have to say, “Yes.” Though I didn’t learn anything from them while I was there, I can now see where the experience has helped shape who I am today. My eyes are now open to see what was presented at those camps in the Light. I see how it made me feel secure, and comfortable in my so-called-“Christianity”, and I see the lie that I believed. And because I now see the sin in being comfortable as opposed to challenged, and complacent as opposed to Holy, I am able to repent, and change the way that I think, especially about what True Christianity is. So now I have a reminder, I can look back at those camps and push forward, knowing that I never want to be the same again.